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Craig Odenwald
All content by Craig Odenwald
“The Mandalorian” edges closer to “Star Wars” normality
December 2, 2020
“Spider-Man Miles Morales” Review
November 18, 2020
The legacy of Sir Sean Connery
November 11, 2020
“The Mandalorian” Season 2 premiere strengthens “Star Wars”
November 4, 2020
“Clouds” is a heartbreaking film of family and friendship
October 22, 2020
“The Social Network” offered a stark warning, “The Social Dilemma” informs us that we did not listen
October 14, 2020
“The Devil All the Time” is a puzzle not worth solving
October 7, 2020
“Enola Holmes” is a fun trip down Baker Street
September 30, 2020
Revisiting “The Golden Compass” 25 years later
March 31, 2020
Netflix’s “Spenser Confidential” lacks necessary punch
March 24, 2020
“Star Wars: The Clone Wars” bounces back with season 7
March 4, 2020
Netflix’s “The Last Thing He Wanted” lacks focus
March 4, 2020
“Sonic the Hedgehog” speeds by with heart and humor
February 26, 2020
“Detective Comics Annual” is a quintessential Batman story
February 12, 2020
“1917” is filmmaking at its finest
February 5, 2020
Brad Pitt honored with Maltin Master Award at SBIFF
January 29, 2020
“Faith Ba$ed” satirizes Christian film industry
January 22, 2020
Our favorite films of 2019
November 20, 2019
Our favorite albums of 2019
November 20, 2019
“The Mandalorian” is a return to form for “Star Wars”
November 20, 2019
Netflix’s “The King” reinvigorates King Henry V
November 6, 2019
“House of X” is a bold new start for Marvel’s mutants
October 30, 2019
“The Laundromat” leaves its stories out to dry
October 23, 2019
“Between Two Ferns” delivers awkward laughs
October 1, 2019
The telltale tales of Gina Oschner’s “People I Wanted to Be”
September 24, 2019
“Overcomer” crosses the finish line with ease
September 17, 2019
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