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Directing The Streets of San Francisco.

Inside John Wilder: screenwriting professor reflects on eight decades in the entertainment industry

Wesley Stenzel, Arts & Entertainment Editor
April 8, 2020
Genre benders Scott Pilgrim vs. the World, Swiss Army Man, and Strictly Ballroom make a great triple feature of bizarre surrealism.

Netflix movie guide: triple features for self-isolation

Wesley Stenzel, Arts & Entertainment Editor
April 1, 2020

Film in the age of COVID-19

Wesley Stenzel, Arts & Entertainment Editor
March 25, 2020

Margot Robbie shines in “Birds of Prey”

Wesley Stenzel, Arts & Entertainment Editor
February 12, 2020

Debunking common Oscars myths

Wesley Stenzel, Arts & Entertainment Editor
February 5, 2020
Our favorite films of 2019

Our favorite films of 2019

Luke Spicer, Korbin Breeden, Wesley Stenzel, and Craig Odenwald
November 20, 2019

Our favorite albums of 2019

Craig Odenwald, Gabriel Farhadian, Korbin Breeden, Wesley Stenzel, and Luke Spicer
November 20, 2019
Scorsese fears that franchises’ dominance will destroy cinema.

Unpacking the Scorsese vs. Marvel debate

Wesley Stenzel, Arts & Entertainment Editor
November 13, 2019

“Parasite” perfects cinematic social commentary

Wesley Stenzel, Arts & Entertainment Editor
November 6, 2019
“Joker” stars Joaquin Phoenix as the iconic Batman villain and broke multiple box-office records in its first two weeks of release.

The vices and virtues of “Joker”

Luke Spicer, Wesley Stenzel, and Korbin Breeden
October 16, 2019

Switchfoot discusses “Native Tongue”

Wesley Stenzel, Staff Writer
April 16, 2019

“Shazam!” electrifies with adolescent adventure

Wesley Stenzel, Staff Writer
April 9, 2019
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