Gabriel Farhadian

“Cherry” Review

Gabriel Farhadian, Staff Writer
March 31, 2021

Kim Kardashian and Kanye West’s divorce deserves privacy and respect

Gabriel Farhadian, Staff Writer
March 3, 2021

Review: “TYRON” by Slowthai

Gabriel Farhadian, Staff Writer
February 24, 2021

Weezer’s orchestral reform on “OK Human”

Gabriel Farhadian, Staff Writer
February 10, 2021

“Big Mouth” Season 4 delves further into pubescent anxieties

Gabriel Farhadian, Staff Writer
December 9, 2020

Netflix’ “We Are the Champions” is a love letter to the weird and wonderful

Gabriel Farhadian, Staff Writer
December 2, 2020

Santa Barbara International Film Festival hosts “The Trial of the Chicago 7” panel

Gabriel Farhadian, Staff Writer
November 18, 2020

‘The Mandalorian’ Review: Episode 2 entertains but leaves little impression

Gabriel Farhadian, Staff Writer
November 11, 2020

Gorillaz’ “Song Machine Episode 1” both hits and misses

Gabriel Farhadian, Staff Writer
November 4, 2020

Youtuber “The Needle Drop” is changing the standards for music journalism

Gabriel Farhadian, Staff Writer
October 28, 2020

“The Trial of the Chicago 7” calls for social justice amidst institutional corruption

Gabriel Farhadian, Staff Writer
October 21, 2020

Joji’s “Nectar” is laid-back lo-fi at its best

Gabriel Farhadian, Staff Writer
October 7, 2020

NPR “Tiny Desk (Home)” maintains its appeal in a new setting

Gabriel Farhadian, Staff Writer
September 30, 2020

Yellow Days’ “A Day in a Yellow Beat” Album Review

Gabriel Farhadian, Staff Writer
September 23, 2020

“Tattletales” fails to make an impression

Gabriel Farhadian, Staff Writer
September 16, 2020

Bob Dylan reflects on JFK assassination in “Murder Most Foul”

Gabriel Farhadian, Staff Writer
April 7, 2020

The half-baked experimentation of Childish Gambino’s “3.15.20”

Gabriel Farhadian, Staff Writer
March 31, 2020

The Weeknd’s “After Life”: A Tragedy

Gabriel Farhadian, Staff Writer
March 24, 2020

Justin Bieber’s “Changes” fails to live up to its title

Gabriel Farhadian, Staff Writer
March 4, 2020

Billie Eilish debuts Bond theme “No Time to Die”

Gabriel Farhadian, Staff Writer
February 26, 2020

Loving displays authenticity on “If I Am Only My Thoughts”

Gabriel Farhadian, Staff Writer
February 12, 2020

Westmont theatre presents “Love and Information”

Gabriel Farhadian, Staff Writer
February 5, 2020

Paris Fashion Week holds first shows of 2020

Gabriel Farhadian, Staff Writer
January 29, 2020

SBIFF honors eight Virtuosos

Gabriel Farhadian, Staff Writer
January 22, 2020

Our favorite albums of 2019

Craig Odenwald, Gabriel Farhadian, Korbin Breeden, Wesley Stenzel, and Luke Spicer
November 20, 2019

Westmont students reflect on Kanye West’s L.A. Sunday Service

Korbin Breeden and Gabriel Farhadian
November 20, 2019

FKA Twigs evokes Mary Magdalene on sophomore album

Gabriel Farhadian, Staff Writer
November 13, 2019

Rex Orange County’s “Pony” tackles mental health and minimalism to mixed results

Gabriel Farhadian, Staff Writer
November 6, 2019

Kanye West declares that “Jesus Is King”

Gabriel Farhadian, Staff Writer
October 30, 2019

Santa Barbara Symphony kicks off 66th season with “Festiva Italiana!”

Gabriel Farhadian, Staff Writer
October 23, 2019

Bob Dylan brings loose performance to the Bowl

Gabriel Farhadian, Staff Writer
October 15, 2019

“Ad Astra” balances isolation and the cosmos

Gabriel Farhadian, Staff Writer
September 24, 2019

Post Malone explores the dark side of showbusiness on “Hollywood’s Bleeding”

Gabriel Farhadian, Staff Writer
September 11, 2019

The Horizon

The Horizon

The Horizon