television – The Horizon

Succession, “a strategic refocus”

Wesley Yowell, Staff Writer
April 13, 2023

“Euphoria” doesn’t romanticize substance abuse, it explains it

Ashley Mata, Staff Writer
February 2, 2022

The Emmys fail to recognize people of color … again

Ashley Mata, Staff Writer
September 29, 2021

“The Falcon and the Winter Soldier” takes off strongly

Raymond Vasquez, Staff Writer
March 31, 2021

What are the Golden Globes and why do they exist?

Eva Moschitto, Staff Writer
March 10, 2021

“Big Mouth” Season 4 delves further into pubescent anxieties

Gabriel Farhadian, Staff Writer
December 9, 2020

“The Mandalorian” edges closer to “Star Wars” normality

Craig Odenwald, Staff Writer
December 2, 2020

Netflix’ “We Are the Champions” is a love letter to the weird and wonderful

Gabriel Farhadian, Staff Writer
December 2, 2020

Why “Ted Lasso” was the Thanksgiving binge we didn’t know we needed

Katherine Smith, Staff Writer
December 2, 2020

‘The Mandalorian’ Review: Episode 2 entertains but leaves little impression

Gabriel Farhadian, Staff Writer
November 11, 2020

Six comfort-watches to stream now on Netflix

Eva Moschitto, Staff Writer
November 11, 2020

Inside John Wilder: screenwriting professor reflects on eight decades in the entertainment industry

Wesley Stenzel, Arts & Entertainment Editor
April 8, 2020

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