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“Euphoria” doesn’t romanticize substance abuse, it explains it

Ashley Mata, Staff Writer
February 2, 2022
Only three people of color won awards at the 2021 Emmys.

The Emmys fail to recognize people of color … again

Ashley Mata, Staff Writer
September 29, 2021
“The Falcon and the Winter Soldier” takes off strongly

“The Falcon and the Winter Soldier” takes off strongly

Raymond Vasquez, Staff Writer
March 31, 2021
What are the Golden Globes and why do they exist?

What are the Golden Globes and why do they exist?

Eva Moschitto, Staff Writer
March 10, 2021

“Big Mouth” Season 4 delves further into pubescent anxieties

Gabriel Farhadian, Staff Writer
December 9, 2020

“The Mandalorian” edges closer to “Star Wars” normality

Craig Odenwald, Staff Writer
December 2, 2020

Netflix’ “We Are the Champions” is a love letter to the weird and wonderful

Gabriel Farhadian, Staff Writer
December 2, 2020

Why “Ted Lasso” was the Thanksgiving binge we didn’t know we needed

Katherine Smith, Staff Writer
December 2, 2020

‘The Mandalorian’ Review: Episode 2 entertains but leaves little impression

Gabriel Farhadian, Staff Writer
November 11, 2020

Six comfort-watches to stream now on Netflix

Eva Moschitto, Staff Writer
November 11, 2020
Directing The Streets of San Francisco.

Inside John Wilder: screenwriting professor reflects on eight decades in the entertainment industry

Wesley Stenzel, Arts & Entertainment Editor
April 8, 2020

“The Mandalorian” is a return to form for “Star Wars”

Craig Odenwald, Staff Writer
November 20, 2019
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